Nowadays the princesses all know kung fu, and yet they’re still the same princesses. They’re still love interests, still the one girl in a team of five boys, and they’re all kind of the same. They march on screen, punch someone to show how they don’t take no shit, throw around a couple of one-liners or forcibly kiss someone because getting consent is for wimps, and then with ladylike discretion they back out of the narrative’s way.
On the posters they’re posed way in the back of the shot behind the men, in the trailers they may pout or smile or kick things, but they remain silent. Their strength lets them, briefly, dominate bystanders but never dominate the plot. It’s an anodyne, a sop, a Trojan Horse - it’s there to distract and confuse you, so you forget to ask for more.
Sophia McDougall (via albinwonderland)
The last ten seconds of The Hunger Games (Catching Fire) gave me so much hope.
i fucking love this
I love this because more then one person clearly bought them pizza
By the time I got the role in Taxi Driver, I’d already made more stuff than De Niro or Martin Scorsese. I’d been working from the time I was three years old. So even though I was only twelve, I felt like I was the veteran there.
De Niro took me aside before we started filming. He kept picking me up from my hotel and taking me to different diners. The first time he basically didn’t say anything. He would just, like, mumble. The second time he started to run lines with me, which was pretty boring because I already knew the lines. The third time, he ran lines with me again and now I was really bored. The fourth time, he ran lines with me, but then he started going off on these completely different ideas within the scene, talking about crazy things and asking me to follow in terms of improvisation.
So we’d start with the original script and then he’d go off on some tangent and I’d have to follow, and then it was my job to eventually find the space to bring him back to the last three lines of the text we’d already learned.
It was a huge revelation for me, because until that moment I thought being an actor was just acting naturally and saying the lines someone else wrote. Nobody had ever asked me to build a character. The only thing they’d ever done to direct me was to say something like “Say it faster” or “Say it slower.” So it was a whole new feeling for me, because I realized acting was not a dumb job. You know, I thought it was a dumb job. Somebody else writes something and then you repeat it. Like, how dumb is that?
There was this moment, in some diner somewhere, when I realized for the first time that it was me who hadn’t brought enough to the table. And I felt this excitement where you’re all sweaty and you can’t eat and you can’t sleep.
Changed my life. - Jodie Foster on how Robert de Niro taught her how to act.
Sprouts | Lorena Alvarez
I love this series of illustration on photographies by Lorena. To start with, her style is simply the most adorable illustration style I’ve seen, but I think it’s more that feeling of fairy tale that it has.